| Observatory Time: The Lovers (1936) |
Brian Thomson wanted to be a pop artist. He inserted dozens of art references in the set, and he would have been very aware of Andy Warhol's works.
Thomson was working at The Royal Court theatre around the same time as the 15-minute production of "Not I" by Samuel Beckett (about 5 months before rehearsals started for Rocky Horror). In the staged production Billie Whitelaw's lips were illuminated by a small, focused spotlight. Later that year there was a filmed version (broadcast in black & white) which had her face blacked out so only her lips were visible. Thomson would have certainly been aware of this production.
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| Not I (stage production) |
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| Not I (televised production) |
But even before that, Mouthscreen was a common cinematic trope. Some other films (before Rocky Horror) that have used the "Mouthscreen" technique include:
The moving lips appear in the entirety of the
opening and closing credits.
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| Bonnie & Clyde (1967) Opening scene |
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| Black Narcissus (1947) |
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| Citizen Kane (1941) |
In fact, Brian Thomson and director Jim Sharman even used a Mouthscreen shot in Shirley Thompson Versus the Aliens - for 86 seconds.
The Rolling Stone's logo was designed by John Pasche in 1970. It has been called the most famous logo in the history of popular music. The logo has remained on all post-1970 albums.









